Wit and Word

proustitute:

Michelangelo, The Dying Slave (detail), c. 1513-16

proustitute:

Michelangelo, The Dying Slave (detail), c. 1513-16

“Uncle Tom’s Cabin”

Uncle Tom’s Cabin; or, Life Among the Lowly is an anti-slavery novel by American author Harriet Beecher Stowe. Published in 1852, the novel had a profound effect on attitudes toward African Americans and slavery in the United States, so much so in the latter case that the novel intensified the sectional conflict leading to the American Civil War.

Stowe, a Connecticut-born teacher at the Hartford Female Academy and an active abolitionist, focused the novel on the character of Uncle Tom, a long-suffering Black slave around whom the stories of other characters—both fellow slaves and slave owners—revolve. The sentimental novel depicts the cruel reality of slavery while also asserting that Christian love can overcome something as destructive as enslavement of fellow human beings.

Uncle Tom’s Cabin was the best-selling novel of the 19th century (and the second best-selling book of that century, following the Bible) and is credited with helping fuel the abolitionist cause in the 1850s. In the first year after it was published, 300,000 copies of the book were sold in the United States alone. The book’s impact was so great that when Abraham Lincoln met Stowe at the start of the American Civil War, Lincoln is often quoted as having declared, “So this is the little lady who made this big war.”

The book, and even more the plays it inspired, also helped create a number of stereotypes about Blacks, many of which endure to this day. These include the affectionate, dark-skinned mammy; the Pickaninny stereotype of black children; and the Uncle Tom, or dutiful, long-suffering servant faithful to his white master or mistress. In recent years, the negative associations with Uncle Tom’s Cabin have, to an extent, overshadowed the historical impact of the book as a “vital antislavery tool.”

foto-jennic:

Donate Your Heart Wait For Transplant 

foto-jennic:

Donate Your Heart 
Wait For Transplant 

foto-jennic:

“Nothing is worth more than laughter. It is strength to laugh and to abandon oneself, to be light. Tragedy is the most ridiculous thing.” ― Frida Kahlo

foto-jennic:

“Nothing is worth more than laughter. It is strength to laugh and to abandon oneself, to be light. Tragedy is the most ridiculous thing.” ― Frida Kahlo

foto-jennic:

Viewed freely, the English language is the accretion and growth of every dialect, race, and range of time, and is both the free and compacted composition of all.Walt WhitmanWalt whitman w/ butterfly 1877 by W. Curtis Taylor, Philadelphia.

foto-jennic:

Viewed freely, the English language is the accretion and growth of every dialect, race, and range of time, and is both the free and compacted composition of all.
Walt Whitman

Walt whitman w/ butterfly 1877 by W. Curtis Taylor, Philadelphia.

foto-jennic:

This is so beautiful; takes my breath away & makes me look forward to the first snow to come.

foto-jennic:

This is so beautiful; takes my breath away & makes me look forward to the first snow to come.

oliveryeh:

“Washington-based artist Tyree Callahan has created a rather fascinating objet d’art the likes of which we’ve never seen — a 1937 Underwood Standard typewriter that is modified to paint with oils. Callahan replaced the ink pads with colored paint pads and the letter keys with color markers to build the painting machine, dubbed the Chromatic Typewriter.”
An artistic translation of a thousand words…

oliveryeh:

“Washington-based artist Tyree Callahan has created a rather fascinating objet d’art the likes of which we’ve never seen — a 1937 Underwood Standard typewriter that is modified to paint with oils. Callahan replaced the ink pads with colored paint pads and the letter keys with color markers to build the painting machine, dubbed the Chromatic Typewriter.”

An artistic translation of a thousand words…

(Source: flavorwire.com)